JTM67 MKIV
Type:
Power:
Output Tubes:
Preamp Tubes:
Rectifier:
Input Hi:
Input Lo:
Controls:
Back:
Effect-Loop:
Colors:
Weight:
Dimension:
Class B 115/230V
30 Watt
2x EL34 Mullard
V1 CV4004 Mullard 2xECC83 Mullard
GZ34 Mullard
Treble (w/Channel-Patch Normal)
Normal (w/split of Hi-Treble Ch. for use with A/B Switcher)
Volume Treble, Volume Normal, Bass, Middle, Treble, Presence, Variac, Master Volume
4/8/16 Ohm Selector, 2 Outputs, Effect-Loop Send & Return, Rhythm & Lead Footswitch
Passive parallel
orig. Black Levant
13,8kg
53x25x20cm
3.290,- Euros on order! Incl. Fotswitch!
incl. German VAT w/1year ltd. guarantee + 1year ltd. warranty
The JTM 67 is based on the Marshall JTM50 from 1967 which started the Rock-Era of Marshall Amps.
It was the first Marshall with EL34 power tubes, but on top of that with a rectifier tube for a „SAG“ response. It comes with a classic ECC83 pre-amp and as standard to all Gladius amps with the unique Variac power reduction! Only absolute state of the art components are used as well as being hand-wired and best possible tubes. An indispensable extra feature is the Channel-Patch, switching both channels (Treble & Normal) together without having to use the conventional patch cable. Also the Rhythm-Lead switch allows you to play the amp real tight, without getting the usual sludgy sound when playing a Humbucker guitar, which is often criticized with Vintage-Amps. The JTM 67 brings enough gain for classic rock however without becoming marshy in too much gain. Despite the EL34 power tubes it keeps on producing a fat sound and makes the guitar come through genuinely unaltered with the world famous charm of the Plexi!
With the Rhythm-Lead function (Clearly visible through different colors from the Pilot-Light) as well as with the two pre-amps you get 4 completely different amps in one unit which can be even be switched!
Rhythm-Channel:
With this setting you will get a clean and stable tone, without the - partially lively - Vintage-Character. Explosive quick in response, without sounding aggressively or too harshly. Fat and round similar to the Vintage Version, but mercilessly defined like with Gary Moore or Ritchie Blackmore.
Lead-Channel:
As the name already suggests, in this setting the complete Vintage-Sound up to 1967 is covered. Extremely fat, round and dirty as well as 'smacky' in response as used by AC/DC, Jimmy Page, Bernie Marsden and many others.
